Scroll Of The Monk Pdf To Excel
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Armor and Shield Proficiency: Monks are not proficient with any armor or shields. When wearing armor, using a shield, or carrying a medium or heavy load, a monk loses his AC bonus, as well as his fast movement and flurry of blows abilities.
When unarmored and unencumbered, the monk adds his Wisdom bonus (if any) to his AC and his CMD. In addition, a monk gains a +1 bonus to AC and CMD at 4th level. This bonus increases by 1 for every four monk levels thereafter, up to a maximum of +5 at 20th level.
These bonuses to AC apply even against touch attacks or when the monk is flat-footed. He loses these bonuses when he is immobilized or helpless, when he wears any armor, when he carries a shield, or when he carries a medium or heavy load.
You can make all of your attacks with a single monk weapon. Alternatively, you can replace any number of these attacks with an unarmed strike. This FAQ specifically changes a previous ruling made in the blog concerning this issue.
A monk applies his full Strength bonus to his damage rolls for all successful attacks made with flurry of blows, whether the attacks are made with an off-hand or with a weapon wielded in both hands. A monk may substitute disarm, sunder, and trip combat maneuvers for unarmed attacks as part of a flurry of blows. A monk cannot use any weapon other than an unarmed strike or a special monk weapon as part of a flurry of blows. A monk with natural weapons cannot use such weapons as part of a flurry of blows, nor can he make natural attacks in addition to his flurry of blows attacks.
A monk also deals more damage with his unarmed strikes than a normal person would, as shown above on Table: Monk. The unarmed damage values listed on Table: Monk are for Medium monks. A Small monk deals less damage than the amount given there with his unarmed attacks, while a Large monk deals more damage; see Table: Small or Large Monk Unarmed Damage.
At 1st level, the monk gains Stunning Fist as a bonus feat, even if he does not meet the prerequisites. The monk may attempt a stunning attack a number of times per day equal to his monk level, plus one more time per day for every four levels he has in classes other than monk.
At 4th level, and every 4 levels thereafter, the monk gains the ability to apply a new condition to the target of his Stunning Fist. This condition replaces stunning the target for 1 round, and a successful saving throw still negates the effect.
The monk must choose which condition will apply before the attack roll is made. These effects do not stack with themselves (a creature sickened by Stunning Fist cannot become nauseated if hit by Stunning Fist again), but additional hits do increase the duration.
At 2nd level or higher, a monk can avoid damage from many area-effect attacks. If a monk makes a successful Reflex saving throw against an attack that normally deals half damage on a successful save, he instead takes no damage. Evasion can be used only if a monk is wearing light armor or no armor. A helpless monk does not gain the benefit of evasion.
At 3rd level, a monk uses his monk level in place of his base attack bonus when calculating his Combat Maneuver Bonus. Base attack bonuses granted from other classes are unaffected and are added normally.
At 5th level, a monk adds his level to all Acrobatics checks made to jump, both for vertical jumps and horizontal jumps. In addition, he always counts as having a running start when making jump checks using Acrobatics. By spending 1 point from his ki pool as a swift action, a monk gains a +20 bonus on Acrobatics checks made to jump for 1 round.
At 12th level or higher, a monk can slip magically between spaces, as if using the spell dimension door. Using this ability is a move action that consumes 2 points from his ki pool. His caster level for this effect is equal to his monk level. He cannot take other creatures with him when he uses this ability.
At 17th level, a monk no longer takes penalties to his ability scores for aging and cannot be magically aged. Any such penalties that he has already taken, however, remain in place. Age bonuses still accrue, and the monk still dies of old age when his time is up.
At 19th level, a monk gains the ability to assume an ethereal state for 1 minute as though using the spell etherealness. Using this ability is a move action that consumes 3 points from his ki pool. This ability only affects the monk and cannot be used to make other creatures ethereal.
At 20th level, the monk has reached the highest levels of his martial arts school. The monk gains one additional attack at his highest base attack bonus when using flurry of blows, and his dodge bonus to AC increases by 2.
Instead of receiving an additional skill rank or hit point whenever they gain a level in a favored class, some races have the option of choosing from a number of other bonuses, depending upon their favored classes. The following options are available to the listed race who have monk as their favored class, and unless otherwise stated, the bonus applies each time you select the listed favored class reward.
The Qingming Scroll has traditionally been attributed to a certain Zhang Zeduan 張擇端. There is basically no trace of him at all in the historical records from his time, and what little information we have of him now is exclusively from the colophons to the scroll by later writers, the earliest of which is dated to the year 1186. This earliest, and arguably most informative, colophon reads as follows:
The Qingming Scroll measures 10.03 inches in height and 17.22 feet in width. It was done in monochrome ink on silk, and considering that it is already more than 800 years old, it is in surprisingly good condition. Most of the original details are intact, and there are only a few patches and blemishes throughout the scroll. The original is now housed at the National Palace Museum in Beijing, PRC.In a modern museum, the Qingming Scroll is usually displayed flat in a glass case. This is, however, not how the original scroll was intended to be viewed. The bulk of it would have rolled up, and the viewer would unroll it only one section at at time, beginning from the right end. For more information about this handscroll format, please refer to this useful site at the Palace Museum in Taiwan, ROC. For a diagram of the handscroll format, adapted from the same site, please click here.
There is no definite answer to this question. Much of the scholarship presupposes that the city depicted in the scroll is the Northern Song capital of Kaifeng 開封. The river in the scroll would therefore be the famous Bian River 汴河, one of the major canals running through Kaifeng during the Northern Song dynasty (960-1127). Efforts have been made to identify various structures depicted in the scroll, such as the Rainbow Bridge or the various wine shops, as those mentioned in the historical records on the city of Kaifeng during the Northern Song.However, some scholars, such as Valerie Hansen of Yale University, have argued that the Qingming scroll is in fact a depiction of an idealized city, with no particular reference to the Kaifeng or any specific city in the Northern Song for that matter. Her argument is that virtually every single detail in scroll is depicted in an extremely generic way, despite the tremendous amount of realistic details, and no obvious landmarks of Kaifeng that we know of from historical sources can be clearly identified in the scroll. In fact, Hansen found that the scroll contains not a single apparent historical landmark at all. She argues that it is a painting of an ideal city, evoking with nostalgia perhaps the prosperity of the new urban space in Northern Song times. Regardless of whether the city is real or imaginary, all scholars would agree, however, that the scroll has a tremendous amount of realistic details pertaining to the new urban space that arose in the Northern Song.
This online module was developed at Columbia University under the faculty consultant Conrad Shirokauer. Headlined with the question, \"Does modernity begin with the Song dynasty\", it uses the Qingming scroll to illustrate various aspects of urban life in Song dynasty China. It has a full reproduction of the scroll, as well as individual sections on \"economic growth,\" \"commercialization,\" \"urbanization,\" \"intellectual life,\" and \"social changes.\"
Yale University professor of Chinese history Valerie Hansen's introductory pamphlet entitled \"The Beijing Qingming Scroll and Its Significance for the Study of Chinese History.\" For Professor Hansen's more contentious study of the scroll, see her article The Mystery of the Qingming Scroll and Its Subject: The Case Against Kaifeng in the _Journal of Song-Yuan Studies_ 26 (1996) 183-200.
This website is taken from _A Visual Sourcebook for Chinese Civilization_, developed by Professor of Chinese history Patricia Ebrey at the University of Washington. In addition to a full reproduction of the scroll, it also has three individual sections: \"Shops and Commerce,\" \"Means of Transportation,\" and \"Individuals and Groups.\" Each section has a set of useful guiding questions towards an appreciation of the rich details of the scroll.
This project was made possible by the generous funding from the Presidential Instructional Technology Fellows (PITF) Program of the FAS Instructional Computing Group sponsored by the Office of the Provost at Harvard University. Originally conceived by Dr. Michael Szonyi, the design and content of the online scroll module were subsequently realized by the PITF's Vincent Leung, Tsong-han Lee, and Alan Wagner, in the summer of 2007, under the supervision of then interim director of ICG Annie Rota. Appreciation is also due to Mr Xiao-he Ma and Ms Nanni Deng at the Harvard College Library for their assistance in securing a high-quality reproduction of the painting scroll.
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